Quantcast Please wait while we are loading

Passive Voice

Posted by MargieChristenson on Aug 12th, 2007 and filed under Novel Writing. You can follow any responses to this entry through the RSS 2.0. Both comments and pings are currently closed.

Chat on 6-29-07

[calikat] hey Margie!

[Margie] Hi Kathy and Lori

[lorichance] Hi there.

[lorichance] btw: suz mentioned she’d be a little late tonight… so don’t take off!

[calikat] Margie, I found a new Inspirational Romance author you might like/Roxanne Rustand

[Margie] I’lll have to check her out Kathy, thanks

User gracepub has entered this room.

[gracepub] hey

[lorichance] hey

[Margie] Hi Suz

[gracepub] how is everyone tonight

User majikrose has entered this room.

[Margie] good…how about you?

[gracepub] I have a question. The last few weeks we notice about 8:00 - 8:30 that only one or two people are left - everyone else has left their computers - should we shorten the chats?

[gracepub] There is no use me talking to blank screens - especially as there is no archive

[calikat] may be a good idea,

[gracepub] I bought a chat room but the screen was so small it was stupid

[calikat] what does everyone else think?

[lorichance] yeah… my cut off is about an hour so that’d be good for me.

[Margie] I only have about an hour tonight also

[majikrose] Whatever is good for everybody else.

[gracepub] in the beginning the chats were only 1 hour - and everyone wanted me to lengthen them

[gracepub] but one hour works for me - better than talking to myself

[majikrose] I always listen.

[gracepub] Has anybody been working on their passive

[Margie] Not writing….but I have been reading your book on passive

[majikrose] Haven’t done much editing this week, but with the little writting I did do, yes.

[gracepub] has anyone made any progress

[gracepub] it is amazing - I worked with an experienced author who use to write the old passive fantasy

[calikat] Yes, but I am finding I am needing to add more words to my WIP

[gracepub] and she rewrote 20 pages and ‘got it’ after only going through a few of her passages. That is why I want to work on your writing. You will learn so much faster

[Margie] I think it is finally starting to click for me

[gracepub] I need someone who will submit

[majikrose] it clicks for me, too.

[Margie] You use some really good examples in your book, Suz

[calikat] I think I am a neurotic about it!

[gracepub] thank

[majikrose] Me too, calikat!

[gracepub] why? This is a ‘writing workshop’

[calikat] My writing partner thinks I am a neurotic too!

[gracepub] after all-

[gracepub] well - I only need about 5 or 6 lines

User Dana has entered this room.

[majikrose] I even found myself cutting passive voice in my e-mails. Nuts.

[calikat] Suz, what is this book Margie is referring to?

[calikat] !!!!

[Margie] The Novelist Guide to Showing and Narration

[gracepub] yes

[Dana] hi, just thought I’d pop in for a few minutes. Hello everyone

[calikat] I must have a copy

[Margie] Hi Dana

[majikrose] hello.

[calikat] Hi!

[calikat] Where can I get it?

[Margie] It is good Kathy…a good investment

[gracepub] http://www.lulu.com/content/879443 Here is the link to the book

[gracepub] We’ve been working on passive for a few weeks -

[gracepub] but - I figure the summer crowd is serious - so we should do some really good stuff - like editing, style, etc

[Margie] sounds good to me!

[majikrose] Yes.

[gracepub] but - I need YOU to submit your stuff

[gracepub] I was talking to Rose Skinner - She wonderfully gave Enspiren her entire 12 book fantasy series with a hero similar to Navar

[gracepub] and we were working on ways to use narration to ’show pictures’

[gracepub] I’ll ask her if I can use her example - just a sec

[gracepub] Rose said that we can use some stuff we’ve worked on in her book

User belleegrl has entered this room.

[gracepub] One thing we talked about was how her knight, Navar, and my Calum used their horses to build a scene and create mood.

[gracepub] In my novel - I wrote something like this

[gracepub] Calum slowed. The mist thinned, swirling around the stallion’s feet. The rise ahead blacked out the stars, casting shadows into the copse of trees. Calum leaned back in the saddle and watched the Stallion’s head. The beast flickered its ears.

[gracepub] It wooshed through its nose. The mane shook and took the bit between it teeth before sinking onto a haunch and waiting for its master’s command.

[gracepub] Here is an example where we used the horse to set the mood and show that there is not an ambush near.

User peters19 has entered this room.

[gracepub] Too many authors write: Calum strained his eyes against the mist. He strained to listen in the silence. His muscles taunt, ready to spring incase of an ambush.

[gracepub] While the second example tells the same information as the first - it is much weaker, and more boring …for one thing I said He-He-He- bla bla bla

[Margie] Suz..would this scene be considered a "breather"? (your 1st example)

[gracepub] Rose wrote: Bailack’s stallion danced sideways and threw its head up. Bailack’s knees tightened and he sank deep into the saddle. The stallion screamed its battle cry and tried to shake the bit loose. The master held the beast still until it quieted

[gracepub] before letting it move forward. The surrounding lands were quiet, but the beast’s smell of battle was excellent. Someone near fought within the last few hours. Balaick wondered who won, who lived, and how many needed to be buried.

[gracepub] No Margie - both of these are foreshadowing, creating emotion, tension- and preparing for action

[Margie] k…thanks!

[gracepub] But - do you notice how we stuck omnipresent narration inside of the character’s paragraph - as if the character is thinking.

[majikrose] yes

[gracepub] Yes - omnipresent narration is not wanted - but the way we did it, you can also call it introspection.

[gracepub] This is how you do it without saying. Balaick thought there had been a war. he wondered if anyone remain alive

[gracepub] Does anyone have any comments on this - it is quite an ‘advanced’ style

[gracepub] Does anyone understand why we used the horses, instead of introspection to narrate this

[majikrose] I like how it involves you in the story, brings you in.

[gracepub] and…(is anyone going to be brave enough to ask what introspection is?)

[belleegrl] the horses reflect the happenings in a new way

[gracepub] yes -

[Margie] Sure…I’ll bite…what is introspection?

[belleegrl] certain animals would work and others would not

[majikrose] sets the mood.

[gracepub] Try and imagine writing this over, as if it is all in the hero’s head - and say the same thing - with the same ‘tension’

[gracepub] Stallion - beast - animal - these are all primal words

[gracepub] introspection - internal thought …….. internal dialogue - a person talking to themselves

[belleegrl] sexual too…i’ll say it!

[gracepub] belleegrl - yes, there are 1000 ways to build sexual tension without using a single body part

[belleegrl] how much introspection is too much… should this be limited?

[gracepub] In fact - the next thing Calum sees is a black phantom ride up out of the moor. All his Scot warriors are terrified that it is evil, or a spirit. Calum knows it is not, because of his stallion.

[gracepub] Bellegrl - what genre are you writing?

[belleegrl] depends… varies

[gracepub] Well - I need a genre. A lot of introspection is allowed in breathers in horror/suspense/thriller

[gracepub] but very little is allowed in romance

[belleegrl] makes sense

[gracepub] Many writers use introspection instead of narration because it keeps the character alive and moving

[gracepub] Let’s look at my version this way:

[gracepub] Calum rode out of the mist. A black hill blocked the warrior’s view. Dark shadows filled their valley making it impossible to identify an ambush. Calum’s stallion tested the wind, and shook its head. Calum decided that if the stallion was not afraid,

[gracepub] then he would not be.

[gracepub] Can someone paste the first example here for people who came later

[gracepub] yes?

[majikrose] Calum slowed. The mist thinned, swirling around the stallion’s feet. The rise ahead blacked out the stars, casting shadows into the copse of trees. Calum leaned back in the saddle and watched the Stallion’s head. The beast flickered its ears.

[majikrose] Is that okay?

[gracepub] yes

[gracepub] Compare the two

[gracepub] One is narration - the second (second here) is introspection

[gracepub] Can you see the scope introspection allows?

[belleegrl] right Calum could say (think) anything now… we’re in his head

[gracepub] Okay - read the two examples and tell me how each makes you feel

[belleegrl] we went to another place inside a place

[gracepub] yes -

[majikrose] There is more showing and feeling as if being in Calum’s shoes

[gracepub] If you do it right - over several pages, the character and reader will become one.

[belleegrl] i feel more like i am there in the second

[Margie] The first example also doesn’t flow as well….

[gracepub] Notice - in introspection, there is no time line..you do not worry about what happened first, yesterday, last year….or will happen

[gracepub] Margie - if you don’t like the writing style, then just join a couple sentences using ‘ing’ (as long as they are not gerunds)

[belleegrl] and we feel connected because we have relied on an animal maybe before (dog) in our own lives and we know the feeling of relying on one

[gracepub] belle- yes this is very important.

[Dana] .

[gracepub] You can often do that - in this case, it works because the hero and his horse are one in these two books.

[Margie] Yes Suz…I can see how that helps

[majikrose] I thought all gerunds ended in ing. Can you explain what you mean?

[gracepub] Roses’ book is a challenge to write - because the hero spends most of the quest alone. Most fantasy writers make a troupe, with each character having 1 or 2 main hero character traints. Rose made 1 hero and kept him alive for 12 books

[gracepub] Gerunds are ‘verbs’ that end in ing

[gracepub] or words that masquarade as verbs

[gracepub] Jim’s panting breath (gerund)

[gracepub] Jim stopped(verb), panting hard. Ok

[gracepub] because panting is a modifier - not the action verb

[majikrose] so as an adverb it’s ok?

[gracepub] but still be careful - because ‘panting hard’ is summary passive - so make sure that the important parts remain showing

[gracepub] not really - I use them occasionally - but they tell

[gracepub] Jim’s panting breath (gerund)

[gracepub] Jim stopped (verb), panting hard. Ok

[gracepub] because panting is a modifier - not the action verb

[majikrose] so as an adverb it’s ok?

[gracepub] she laughed happily - okay tell me what you see that made you come to the conclusion that she was laughing ‘happily’ as opposed to ‘hysterically’ or manically - or even morosely

[majikrose] k.

User Bernice has entered this room.

[gracepub] Do you see why?

[gracepub] the problem is the same as with exclamation marks

[gracepub] He shouted!

[gracepub] Okay - did he shout in anger, in rage, in frustration? An exclamation mark is far to vague

[majikrose] k

[gracepub] Does everyone have a coffee right now?

[calikat] yes

[Margie] no….water

[belleegrl] diet coke

[calikat] 2nd cup

[gracepub] Take a sip - and then tell me exactly what happened

[lorichance] no… beer and water (not mixed)

[Margie] It quenched my thirst……LOL Lori!

[lorichance] it’s been a long day…

[calikat] it’s hot and I am perspiring

[gracepub] give me a max of three lines ’showing’ me, so I can ’see’ what happens when you take a sip

[lorichance] my tongue felt cool as it slipped down my throat.

[gracepub] Lori - try introspection…… get rid of ‘felt’ - The water cooled my tongue as it slipped down my throat

User chriswager has entered this room.

[gracepub] I reached forward, lifted the cup, and sipped.

[Margie] The cool liquid quenched the fire on my tongue.

[gracepub] The cup rose to my lips and paused a moment before I took a sip

[majikrose] I tltled the ridge of the cup against my lips. The sweet heat of fresh tea poured into my mouth, and warm my throat as I swallowed it.

[gracepub] Margie - have you used the word ‘quenched’ in a telephone conversation over the last week?

[Margie] no….LOL

[majikrose] sorry, warmed.

[belleegrl] I tipped the can and poured coke into my mouth and it stung my tongue. My eyes closed slightly.

[gracepub] Try to keep the language international -

[gracepub] remember that most of the world are ESL -

[Margie] I had "put out the fire" but changed it to quenched!   

[Margie] Ok…I remember that

[gracepub] Actually Margie - that is a good example

[gracepub] When I started to learn how to write - a million years ago - we spent weeks learning this

[gracepub] Say What You Mean - Mean What You Say

[gracepub] It is so simple, but it is difficult to master the art of saying what you mean

[gracepub] for example (pick on Margie) - is your tongue really on fire?

[Bernice] I reached back for my water bottle, flipped open the lid and took large gulps.

[Margie] Yes….LOL….I just ate hot food

[gracepub] cool -

[Margie] But no not literally on fire

[gracepub] K Bernice - great until the last phrase. Make the last phrase its own sentence and continue showing what happened

[belleegrl] like?

[gracepub] The phone rang. Mike spun on a dime, racing to grab it.

[gracepub] Really? Why did Mike spin on a dime before he went for the phone?

[gracepub] Her heart plummeted into the depths of despair - really? was it LSD or maybe Extacy?

[gracepub] is she masking her pain by taking drugs?

[gracepub] This has to be one of the top reasons why books are rejected.

[gracepub] We watch for this when editing. Sex scenes are the worst

[chriswager] Why

[gracepub] He plunged his hard manhood deep inside her welcoming thighs.

[belleegrl] bad example?

[gracepub] Okay - you know what that means

[belleegrl] got it

[gracepub] but - to someone without a post-university education, or extensive writing education -

[gracepub] it could sound like he just stabbed her - or did something perverted

[Margie] So instead of saying my tongue is on fire …. I should say my tongue is burning from the hot food I just ate?

[gracepub] It is funny - but writers do this.

[gracepub] Or -

[gracepub] The water washed away the remains of my jalapeno sandwich

[Margie] Yes…I like that

[belleegrl] actually though water spreads jalapeno

[belleegrl] throughout your mouth

[majikrose] lol. I was just thinking that.

[gracepub] Again - say what you mean…was the food hot from the stove, hot and spicy, irritating your tongue - you see…there are so many ways to translate what you said

[Margie] Yes…it was spicy

[gracepub] were you allergic to the food?

[gracepub] Then say that

[Margie] no

[Margie] This is a great example

[belleegrl] i guess if you don’t say exactly what you mean it leaves too much room for the reader to criticize

[gracepub] too many writers are so concerned with sounding like writers that when the editor gets their manuscript there are entire pages that make absolutely no sense

[gracepub] belle to be confused

[chriswager] So being careless can be trouble

[lorichance] are there times when being vague or allowing for alternate translations is desired?

[belleegrl] sure

[gracepub] I live in Canada. I never knew what ‘hot food’ was until the chinese restaurant started serving General Tao Chicken about 10 years ago

[gracepub] We didn’t even have Taco Bell

[gracepub] so - when you say ‘hot’ we would have no idea what you mean

[Margie] good point

[gracepub] You can’t assume that everyone has your life experiences. People in the UK read more than Americans - but they don’t have hot food there at all - not even Mexican - and they don’t eat Chili - so you need to make sure they understand it

[calikat] one of my favorite reference books is The Synonym Finder, you get so many choices to find the exact word you want

[gracepub] or they might just assume that your tongue burned because you were drunk - or taking drugs - or something else

[belleegrl] some ingredients are universal so i guess you could use some of those

[calikat] its 1400 pps. of great words

[gracepub] some are - corn - flour - beef - no, not beef……ah sugar, rice, ….

[gracepub] I think chicken and fish are the only universal meats

[belleegrl] spices?

[gracepub] no - there are no universal spices

[belleegrl] ok

[gracepub] maybe curry

[belleegrl] garlic

[belleegrl] salty

[gracepub] oh yea - salt

[gracepub] no garlic isn’t universal - they don’t eat it at all in Africa or South America

[belleegrl] well

[gracepub] But it isn’t so much that you can’t mention the food - just make sure that you share the experience with your reader

[belleegrl] like the effect it has on us physically

[calikat] Suz, could you give me the link to your book again, I want to get a copy after the chat

[gracepub] Mike bit into the apple. The red skin gave way to reveal the crisp, white inside. Juice squirted as he bit hard, savouring every bite.

[gracepub] http://www.lulu.com/content/879443

[calikat] thanks

[gracepub] savoring - for Americans  

[belleegrl] heeheee

[gracepub] Does anyone want to try the coffee thing again?

[lorichance] I must have read too much british lit in college, the u looked right!

[gracepub] no?

[chriswager] sure

[majikrose] sure.

[gracepub] k

[belleegrl] I tipped the cold can of Coke and poured the stinging liquid into my mouth. My eyes closed slightly.

[majikrose] I tilted the ridge of the cup against my lips. The sweet heat of fresh tea poured into my mouth, and warmed my throat as I swallowed it.

[gracepub] yes-not a single weak verb - not a single vague noun - not a passive verb

[gracepub] who hooo!

[majikrose] yeah, baby!lol

[Margie] I lifted the styrofoam cup to my parched lips. The cool liquid removed the tingling sensation from my tongue.

[gracepub] K - again - define parched? - it sounds like you are dehydrated - other than that - it is good

[Margie] How about I just leave "parched" out…

[gracepub] Does anyone have a couple lines from their book they would like analyzed

[gracepub] yes - that would work good - because your lips are not parched - (say what you mean - mean what you say)

[gracepub] This style stuff is harder than it sounds, eh?

[belleegrl] it just makes you work harder

[gracepub] yes - don’t worry if this is beyond a few new people

[Margie] Suz…I have a book by that title….. Say what you mean, mean what you say…

[gracepub] This is really advanced writing - and something that I rarely teach

[gracepub] it is hard

[gracepub] even when you’ve been writing for years -

[belleegrl] it makes me more observant personally

[gracepub] yes - very

[belleegrl] of really basic movements and mannerisms

[Margie] The actual title is "How to use Power Phrases…..say when you mean, mean what you say, and get what you want

[belleegrl] we want published!

[Margie] That’s right!!!

[gracepub] well - it is a fine line

[gracepub] Yes, you can get your first 2 or 3 books published writing this way

[belleegrl] then what?

[gracepub] we have even accepted a couple books that would have failed HTWEN -

[gracepub] but after that, if you don’t learn to write well, you stop finding publishers -

[chriswager] Ben finishes the last drink of milk from the bottle; gets up from his chair and goes to the sink where he runs a comb through his short dark hair.

[gracepub] after 3 books, if editors don’t see good writing, then they won’t waste money on you.

[belleegrl] so we better get a grip on this now!

[gracepub] Chris - no semi colons. But this is very visual. After the word chair make a new sentence (one topic per sentence)

[gracepub] yes - you are all 110% better than 3 weeks ago

[Margie] It’s actually been fun

[gracepub] that is another thing - Word loves semicolons - Editors hate them

[gracepub] It is fun when you start to get it.

[chriswager] Thanks

[gracepub] Oh - I have a tip

[gracepub] When you write - turn all your ‘auto’ features off. Turn all your formatting off.

[chriswager] I have 237 more pages do we have time? ha ha

[Margie] LOL Chirs

[Margie] Chris

[gracepub] We have wasted about $500 in the last 3 weeks removing ‘macros’ from ‘auto correct’ ….and worse… ‘edit tracker’ from word

[gracepub] sure

[chriswager] That is a good piece of advice.

[gracepub] yes - because WE HATE FIXING FILES and layout people won’t fix them

[gracepub] so - anyone have another sentence?

[Margie] Yes…

[Margie] The petrid smell permeated the room. Emma Chandler opened her eyes and sat straight up in bed. Fire!

[gracepub] K - The only thing I see is ’straight’ up’…. can she sit staight down? Nope

[gracepub] so just take out the word ‘up’

[Margie] LOL

[Margie] opened her eyes and sat up in bed

[gracepub] Also - she cannot identify the petrid smell - so the Article is ‘a’

[gracepub] A petrid smell

[Margie] Ok…thanks…

[gracepub] any more?

[Bernice] Nara stared into his dark chocolate eyes seeing his determination there. He held out his other hand waiting for her to comply.

[gracepub] This is good - because this type of stuff is what you will remember most

[gracepub] Nara stared into his dark chocolate eyes. (new topic/new sentence) seeing is a gerund, so this is passive….=-Determination glinted in their depths. He held out a hand, waiting for her to ….what? what does comply mean.

[belleegrl] right it sounds scary to me

[belleegrl] that she has to comply

[gracepub] Nara stared into his dark chocolate eyes. Determination glinted in their depths. He held out one hand, waiting for her to accept his help.

[Bernice] yes

[Bernice] you did good

[gracepub] The thing is - most ‘non’ readers (other than thriller/historical/horror) will probably not know what comply means

User lorichance has logged out.

[gracepub] There is an easier way to do this - I get paid $4000 to rewrite every 50 000 words….OR - you can learn it yourself

[gracepub] ROLF

[Margie] :J

[majikrose] I am really listening!

[Margie] J

[belleegrl] heehee

[gracepub] I am currently rewriting a book for an agent - and it was REALLY bad. He did this. He did that. He thought this. He thought that.

[Margie] yes, me too…I’d rather make that money!

[belleegrl] ugg…

[gracepub] But, the story is good, but I don’t think it will ever earn my fee back.

[gracepub] then - that is not my problem.

[gracepub] One way to make this easier is to put away your ms for one month. Work on something else. Then, when you come back, it is as if you are working on someone else’s ms. It is always easier to work on someone else’s ms

[gracepub] even when I work for clients. I will only edit for 2 days every 2 weeks

[Margie] It’s been several months since I looked my ms

[belleegrl] i have done that and i can’t believe what i write.

[majikrose] me too.

[belleegrl] it’s like hearing you voice on a recording and not believing it’s you

[gracepub] When I am working on my work. I will stop and read a book on writing before I go back

[gracepub] usually - I barf that I was so bad and then rewrite it

[belleegrl] what is a fav book on writing for you?

[gracepub] whew-

[gracepub] Donald Maasa’s book

[Margie] I like that one

[gracepub] Stephen King’s book

[gracepub] I always like my own stuff

[gracepub] actually - I usually rewrite a lesson or something because it makes me focus

[gracepub] I love reading books about characters

[gracepub] 40 master arch types is my favorite

[belleegrl] about character development?

[gracepub] yes

[gracepub] 40 master arch types is my favorite

[belleegrl] about character development?

[gracepub] yes

[majikrose] I always worry about prose and smooth transitions from one scene to another.

[gracepub] I have a hard time with most books. Most ‘teachers’ make writing so sugar coated so people will buy their books that at the end of the book you ask ‘well, what can I improve’ and the answer is nothing.

[gracepub] well - smooth transitions are fairly easy

[peters19] Suz, who is the author of 40 master archtypes?

[gracepub] One trick is to bring a color or image from the last to the next

[gracepub] - forget

[gracepub] Like - at the end of chapter 1 the man is sitting in a cafe with cool drops running down the edge of his lemonade glass.

[gracepub] At the beginning of chapter 2 it is raining, and rivlets are running down the window panes.

[gracepub] Or using a color - mention blue in both sections.

[gracepub] Of course - you can also have similar situations.

[Bernice] Victoria Schmidt (45 Master Characters)

[belleegrl] do you ever need to make an abrupt change from scene to scene

[gracepub] At the end of chapter one he is going over legal documents looking for some way to save the company….at the beginning of the next chapter she is reading a letter trying to figure out who sent it.

[gracepub] use colors - or an item that is similar -

[gracepub] Like in The Pledge

[gracepub] The moon is setting - in the next chapter the moon is rising

[gracepub] 2 weeks later -

[majikrose] But what about in the SAME chapter, when a few boring days pass - or maybe a few boring weeks? I always worry that my prose is rushing people into the next phase too quickly.

[gracepub] K - a few boring weeks - that warrants a new chapter

[majikrose] that could be it.

[gracepub] even in the same chapter - you obviously need a new scene - so treat it like a new chapter

[majikrose] k

[gracepub] Oh - in Discovery I had the villain contemplating killing the heroine who he has been hunting for months

[gracepub] and in the beginning of the next chapter, the police are at her house because someone broke in

[gracepub] so - there is a sequence of events. except that they are unrelated - but the sequence is still there

[belleegrl] and they both make one nervous!

[majikrose] But what if it makes the chapter too small?

[gracepub] Like at the end of a chapter he could be heading to the store to buy something … and the beginning of the next, she is putting bags in the trunk of the car.

[gracepub] What is a too small chapter? Mary Higgens Clark has managed 5 lines.

[belleegrl] whoa!

[majikrose] I’ve seen it done, but… I’m not Mary. J

[majikrose] She can get away with it.

[gracepub] but - the defining attribute of a chapter is that something major happened that moved the plot forward - when that is done, there is no reason to make the chapter longer

[majikrose] k.

[gracepub] I think it is better to have 50 chapters instead of 20 with 5 - 10 scenes each

[majikrose] I agree. Just wondered if it "looks bad".

[gracepub] what genre?

[majikrose] Hist. romance.

[gracepub] nope

[gracepub] but only do it once or twice

[majikrose] ok.

[Margie] Suz…this was really good tonight…thanks

[gracepub] J

[gracepub] It was fun doing something a bit different

[gracepub] You guys should tell all your friends - the best chats are when we have about 25 - then you can lurk and still have a great chat

[gracepub] OH - btw

[gracepub] the new platform for www.inspiredauthor.com is almost finished.

[belleegrl] cool

[gracepub] We have 2 places opened for reviewers - they will share a blog/topic -

[majikrose] great.

[gracepub] so there is not much involved…but, when your book is published - you get all the perks of a TE

[gracepub] and until then, you get 80% of the google money

[gracepub] so - pass that around, because unlike Dabblingmum or bellaonline or suite101- IA only takes new TEs 3 - 4 times a year

[gracepub] so - you might want to let people know -

[gracepub] it is something to blog about

[gracepub] so - what are we going to chat about next week?

[belleegrl] how about setting

[Margie] How about the elements of a novel?

[gracepub] k -

[gracepub] Did someone ask about plots a week or two ago?

[majikrose] Can we do a chat about novel mapping?

[gracepub] How many people here are from HTWEN?

[Margie] yes

[majikrose] I took it before.

[peters19] I was interested in improving on subplots

[gracepub] so everyone is familiar with storyboarding and mapping?

[belleegrl] yes

[majikrose] I’d like to do plotting also.

[Margie] yes

[majikrose] familiar, but not great at it.

[gracepub] K - I will start with plots next week - and we can move right through the entire thing and end up with mapping

[majikrose] Like to get better.

[gracepub] Margie - you keep archiving these for me.

[Margie] yes…I sure will

[Margie] Does anyone need a copy of tonights?

[gracepub] I want to save these chats for my new course - and everyone who attends at least 3 of the chats in the next few weeks will

[gracepub] get into the course free

[Margie] That joined us late

[Bernice] I need the first hour

[chriswager] I love storyboarding

[Margie] That will be cool, Suz

[gracepub] nite

 

 

 

 

 

 

 

 

 

Comments are closed

Passive Voice

Posted by MargieChristenson on Jul 21st, 2007 and filed under Novel Writing. You can follow any responses to this entry through the RSS 2.0. You can leave a response or trackback to this entry

 

 

Chat on 1-26-07
 

[gracepub] So… now for passive voice.
[gracepub] The main problem with passive voice is that it sounds right…and the reason that it sounds right is because it is the ‘voice’ and grammar style that we talk in.
[gracepub] That is why so many authors cannot ‘get it’ - because they feel that it is right because it is how they would say something.
[gracepub] For example, "Jim went to the store and bought a can of coke."
[gracepub] That would be a perfectly normal statement for you to make when speaking on the phone or to a friend
[gracepub] But, it is passive.
[gracepub] So, once you learn that you write in one language and you speak in another, passive writing becomes simpler to master
[gracepub] The first step to defeating passive voice is to eliminate all weak verbs: had, was, that, heard, felt, noticed, thought, saw, touched, etc etc
[gracepub] comments?
[Merry Jelinek] I did a challenge entry on my blog on this - the objective was to write a segment that wall ALL active
[Merry Jelinek] Of course, good fiction has both, the point was to experiment with active to see how passive you might be naturally, or how often
[gracepub] - yes, that is tricky. Because, many authors do not understand the difference between active voice and active writing
[Merry Jelinek] you fall into inactive
[gracepub] Not really - passive voice should only be used in 2 places… 1) where you are describing something that happened in the past
[Merry Jelinek] That’s the problem - some of the posts were really great - but some of them, you could tell, didn’t understand
[gracepub] 2) when you are describing the NON POV character’s body movements, or props, when in a dialogue scene. This makes it easier for the reader to separate the main character and the secondary characters
[gracepub] active voice means using strong verbs instead of weak verbs and keeping the subject of the sentence at the beginning.
[gracepub] Active writing is different
[gracepub] It means writing the story as if every action happens the moment the reader reads the words
[Merry Jelinek] Honestly - I start paying attention to this in my revisions - otherwise I’ll agonize rather than write
[gracepub] It shouldn’t sound like a narrator is telling a story
[gracepub] I never worry about passive voice until I’ve fixed all structure and character problems - and then cut words
[gracepub] It is the second last thing I do
[gracepub] I never worry about the words, punctuation, grammar or anything, until the last 2 revisions
[gracepub] to do it earlier is a waste of time.
[gracepub] Another mistake people make is that they write ‘action’ as if the character is THINKING about doing something.
[gracepub] Jill decided to go over the investigative files that afternoon, looking for a missing clue or piece of evidence.
[gracepub] This is ‘active voice’ but not ‘active writing’ because the character is not DOING anything, just thinking of doing it. Some authors argue that the character did do that later, and did find a clue, but the point is - this is passive
[gracepub] Another thing people do not understand is that there are 4 levels or types of passive, with literary writing the deepest, and conversation the lightest.
[gracepub] Of course - all your characters should talk in passive - because that is how people talk
[gracepub] Another thing that people have a hard time with is the fact that active writing breaks the grammar rules. This is a major hang up for many editors and writers. The
$1 000 000 question - is it more important to maintain a 1 degree of separation between the character and the reader - or write in good grammar.
[gracepub] This will never be answered. For my part, I choose bonding with character.
[lorichance] can you give an example of this?
[gracepub] An editor asked me ‘do we use American grammar’ - to which I replied Which American grammar….there are 18 OFFICIAL styles of grammar in the USA, and someone compared them, and found that the main ones (AP, Chicago, New York, Harvard, Purdue, Linear) all contradict each other.
[gracepub] Jill looked around the empty apartment. Tables lay on their side. Shattered pieces of a vase lay in a trail to the kitchen. Burglary?
[Merry Jelinek] It can get confusing, too, to writers who learn to write by ear -
[lorichance] That makes me feel better about my writing!
[lorichance] thanks
[gracepub] In the above sentence, the last fragment is a grammar statement, but there is more emotional impact by putting the one word - burglary - instead of putting a sentence explaining that she is thinking about what she is seeing and is deciding it is a burglary … the impact is stronger if the reader suspects that a murderer is in the home.
[gracepub] Yes, you should never ‘write by ear’ - because what you hear is passive writing.
[gracepub] If you want to know the most ‘publishing friendly’ rules then go to www.dailygrammar.com -
[gracepub] It is the most universal, and book publishing friendly style.
[gracepub] The thing is, you must know the grammar rules - well - before you can break them.
[gracepub] Another form of passive that many people overlook is hiding the subject of the sentence at the end of the sentence
[gracepub] The book fell, the lights darkened, Jill screamed.
[gracepub] This type of thing is seen often. A better way to write this would be.. (forgetting that this is a run on sentence)
[gracepub] A scream tore from Jill’s lips as darkness enveloped the room. Her heart echoed the thud of a falling book.
[gracepub] Do you see how strong verbs have replaced weak ones, and I ‘painted a picture with words’ instead of just giving you information?
[Margie] I struggle with the words…what’s a good way to learn?
User chase2 has logged in.
User chase2 has entered this room.
[gracepub] This is how I was taught.
[gracepub] Look out the window, and write exactly what you see. Do not look down at the computer.
[gracepub] Use as much detail as you can.
[gracepub] You’ll start by writing.
[gracepub] There is a maple tree covered in snow.
[gracepub] Then after a while you’ll be writing.
[gracepub] Black limbs faded into darkness, each branch veiled in the shimmering glow of snow, as the maple stood, silent in the night, waiting for spring.
[gracepub] As you see, this sentence is not American Linear, but is British style - which is okay because I write historicals
[gracepub] where the British style of grammar is accepted.
[Merry Jelinek] By the way, that’s the same way beginning artists learn to sketch
[gracepub] But - this exercise teaches you to write what you see - active writing
User chase2 has logged out.
[Merry Jelinek] It’s about learning to really see - in detail, source of light, drape of shadow, what the casual view misses, so you can create it on the page
[gracepub] Another way to write a scene is to pretend that the novel you are writing is being performed on a stage. You are sitting in the audience with a blind friend - you want the friend to experience the play, the images, the emotion - so, you wouldn’t say "A woman walked onto the stage. Now she is sitting down. The man looked at her." You would bring the play to life through your words.
[gracepub] Yes, but more important, instead of seeing, it is learning to master your verbs
[gracepub] This sentence does not paint a picture with words. One thing I did as an editor is ask people to show me a poured…
[gracepub] draw me a picture of poured
[gracepub] am I spelling that right? It looks weird
[gracepub] Now, look at this version.
[gracepub] Jill lifted the jug, and let milk slowly fill her sunflower cup to the edge of the rim.
[gracepub] now, you can draw an exact picture
[gracepub] These details are what let the reader step into the book and become the main character
[gracepub] it lets them visualize the story in their mind’s eye
[gracepub] so - step #1 is to manage verbs
[gracepub] step #2 is to write as if the action is happening the exact moment the reader reads the words
[gracepub] step #3 is to ‘paint pictures with words.’
[gracepub] That is about all there is to it
[gracepub] questions?
[Margie] What is the "rule of thumb" for using words that end in LY and ING?
[gracepub] don’t - ever
[gracepub] well - okay
[gracepub] never use ly
[gracepub] ever
[Merry Jelinek] not even occasionally?
[gracepub] the same as ‘never use exclamation marks’ - if it warrents writing, then write it out.
[gracepub] nope
[gracepub] don’t tell someone that she screamed angrily….write it out
[lorichance] would dialogue be an exception or no?
[Margie] In your example you used "let milk slowly fill her sunflower cup"
[gracepub] Jill’s face heated as she screamed. Jim’s feigned indifference only increased her frustration. She clenched her fists, fighting off the lump that threatened to strangle her.
[gracepub] Now, in this example I eliminated the LY, but I used an ‘ing’
[gracepub] in this case, the ‘ing’ is a gerund, yes, and you are not suppose to be using gerunds - IF writing in American linear style.
[Merry Jelinek] Lori - I think dialogue breaks the normal rules, for it to sound like believable speech
[gracepub] but if you are writing historicals, or you have a ‘high tension/sexual’ scene, it is a ‘writer’s trick’ that will let you increase emotional impact
[gracepub] dialogue IS passive writing, it should remain so
[lorichance] k. thanks.
[gracepub] passive voice should never have been labeled passive voice. Instead, it should have been called ‘talking voice’.
[gracepub] that would have made things a lot better
[gracepub] So, a gerund is okay a) in a clause or phrase b) if it is not describing the main character’s actions.
[gracepub] Jill is pouring milk - no - do not do this.
[gracepub] Jill stubbed her toe while walking to the fridge - yea, you can do this
[Margie] Ok. that helps…thanks
[gracepub] because the stub is the main action, the important action - walking to the fridge is secondary.
[gracepub] Another problem comes up when narrating. All narration should be written as if the main character is thinking.
[gracepub] Do not write.
[gracepub] Jim froze. The scene reminded him of the time when he was a child and fell overboard. His brother Danny died saving his life.
[gracepub] Does anyone think in this manner?
[gracepub] Dave glanced back once, before he drown in the smoke. Jim froze. Flashes of memory blinded him. His brother Danny’s wide eyes staring from a white puffy face as he sunk into the black bottom of the pond.  Water burned his throat, choking him. He coughed and looked for Danny. Water gave way to smoke. He stood, choking, in a black cloud of smoke.
[gracepub] Now - do you think that someone’s mind would remember more along the second example…or the first
[Margie] the second
[Merry Jelinek] second, definitely
[gracepub] This is how you should write
[gracepub] Now, writing like this also solves another problem. Many writers get caught up describing things that are not important to the plot or character development. If you write actively, it is easier to ’see’ these sections, or to avoid writing them, because it takes too much time.
[gracepub] questions?
 
 

You must be logged in to post a comment Login

Advertisement


Fatal error: Allowed memory size of 67108864 bytes exhausted (tried to allocate 24 bytes) in /home/gracepub/public_html/wp-includes/wp-db.php on line 1075